The Lives of George Frideric Handel

The Lives of George Frideric Handel

David Hunter

Hardback
$49.95
Personal eBook
$34.99

Boydell Press

Overview

Overview

How have Handel's 'lives' in biographies and histories moulded our understanding of the musician, the man and the icon?
To evaluate the familiar, even over-familiar, story of Handel's life could be seen as a quixotic endeavour. How can there be anything new to say? This book seeks to distinguish fact from fiction, not only to produce a new biography but also to explore the concepts of biography and dissemination by using Handel's life and lives as a case study. By examining the images of Handel to be found in biographies and music histories - the genius, the religious profound, the master of musical styles, the distiller into music of English sentiment, the glorifier of the Hanoverians, the hymner of the middle class, the independent, the prodigious, the generous, the sexless, the successful, the wealthy, the bankrupt, the pious, the crude, the heroic, the devious, the battler of ill-fortune, the moral exemplar - and by adding new factual information, David Hunter shows how events are manipulated into stories and tropes. One such trope has been employed to portray numerous persons as Handel's enemies regardless of whether Handel considered them as such. Picking apart the writing of Handel's biographers and other reporters, Hunter exposes the narrative underpinnings - the lies, confusions, presumptions, and conclusions, whether direct and inferred or assumed - to show how Handel's 'lives' in biographies and histories have moulded our understanding of the musician, the man and the icon.

DAVID HUNTER is Music Librarian at the University of Texas at Austin.

Details

17 black and white illustrations
536 pages
23.4x15.6 cm
Music in Britain, 1600-2000
Personal eBook, 9781782047308, November 2015
Hardback, 9781783270613, November 2015
Library eBook
Boydell Press
BIC AVGC3, 1DBK, 2AB, 3JF
BISAC BIO004000, MUS006000
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Table of Contents

Introduction
The Audience: Three Broad Categories, Three Gross Errors
The Audience: Partner and Problem
Musicians and Other Occupational Hazards
Patrons and Pensions
Musical Genres and Compositional Practices
Self and Health
Self and Friends
Nations and Stories
Biographers' Stories
Conclusion
Bibliography

Reviews

Handel was an early entrepreneurial composer: he owned his own opera company, he borrowed from himself and others to increase his musical output, and he was impressively resourceful for his time. This study focuses on the multiple representations of Handel that were at least partly a result of his legendary resourcefulness as well as on questions that remain about his sexuality, health (disability), nationalism, friends and acquaintances, and so on. CHOICE

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