African Articulations showcases cutting-edge research into African literary and performance cultures, broadly understood to include written and oral literatures, theatre, film, music, social media creativity and digital arts. It aims to make available new perspectives on the complex relationships between Africa’s cultural producers, texts, consumers, geographies and aesthetic or critical discourses. Books in the series focus on the ways in which African texts and practices are articulated—how they are connected, spoken about, and speak for themselves—in relation to local, regional and global networks and histories. With cultural production from the continent at its core, the series challenges scholarship that uncritically privileges the internationally visible above the supposedly ephemeral and local. African Articulations provides indispensable resources for scholars and students of modern and contemporary African cultures.
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