This series provides a forum for the best new work in the field of British music studies, placing music from the early seventeenth to the late nineteenth centuries in its social, cultural, and historical contexts. Its approach is deliberately inclusive, covering immigrants and emigrants as well as native musicians, and explores Britain’s musical links both within and beyond Europe. The series celebrates the vitality and diversity of music-making across Britain in whatever form it took and wherever it was found, exploring its aesthetic dimensions alongside its meaning for contemporaries, its place in the global market, and its use in the promotion of political and social agendas.
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