Piety and Polyphony in Sixteenth-Century Holland

November 2018
43 black and white, 14 line illustrations
432 pages
23.4x15.6 cm
Studies in Medieval and Renaissance Music
ISBN: 9781783273263
Format: Hardback
Boydell Press
BISAC MUS020000, MUS048010, REL033000

Piety and Polyphony in Sixteenth-Century Holland

The Choirbooks of St Peter's Church, Leiden

Eric Jas

Study of musical manuscripts from the fifteenth and sixteenth centuries, opening a window on piety, liturgy and musical life in late medieval society.
The musical culture of the Low Countries in the early modern period was a flourishing one, apparent beyond the big cathedrals and monasteries, and reaching down to smaller parish churches. Unfortunately, very few manuscripts containing the music have survived from the period, and what we know rests to a huge extent on six music books preserved from St Peter's Church, Leiden.
This book describes the manuscripts, their provenance, history and repertory, and the zeven-getijdencollege, the ecclesiastical organisations which ordered the music books, in detail. These organisations have their roots in fifteenth-century piety, founded on the initiative of individuals and town administrators throughout Holland, principally to ensure that prayers and Masses were said for those in the afterlife. Music, both chant and polyphony, played an important part in these commemorative practices; the volume also looks at the choristers and choirmasters, and how such services were organised.

ERIC JAS is a lecturer in music at the university of Utrecht.

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Table of Contents

The zeven-getijdencolleges
The seven hours in St Peter's Church at Leiden
The choirbooks of St Peter's Church
The repertoire of the choirbooks
Appendix: Archival Documents
Appendix: Descriptions and Inventories of hte choirbooks

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