Nation and Classical Music

Nation and Classical Music

From Handel to Copland

Matthew Riley, Anthony D. Smith

Personal eBook

Boydell Press



How and why do listeners come over time to 'feel the nation' through particular musical works?
This book develops a comparative analysis of the relationship between western art music, nations and nationalism. It explores the influence of emergent nations and nationalism on the development of classical music in Europe and North America and examines the distinctive themes, sounds and resonances to be found in the repertory of each of the nations. Its scope is broad, extending well beyond the period 1848-1914 when national music flourished most conspicuously. The interplay of music and nation encompasses the oratorios of Handel, the open-air music of the French Revolution and the orchestral works of Beethoven and Mendelssohn and extends into the mid-twentieth century in the music of Prokofiev, Shostakovich and Copland. The book addresses the representation of the national community, the incorporation of ethnic vernacular idioms into art music, the national homeland in music, musical adaptations of national myths and legends, the music of national commemoration and the canonisation of national music. Bringing together insights from nationalism studies, musicology and cultural history, it will be essential reading not only for musicologists but for cultural historians and historians of nationalism as well.

MATTHEW RILEY is Reader in Music at the University of Birmingham.

The late ANTHONY D. SMITH was Professor Emeritus of Nationalism and Ethnicity at the London School of Economics.


6 black and white, 12 line illustrations
256 pages
23.4x15.6 cm
Hardback, 9781783271429, November 2016
Personal eBook, 9781782048923, November 2016
Library eBook
BISAC MUS006000, POL000000, HIS037060
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Table of Contents

Music and the National Community: from Monarchs to Citizens
Folk Music into Art Music
Music of the Homeland
Myths and Memories of the Nation
The Music of Commemoration
The Canonization of National Music


Given the current direction of travel of global politics, this wide-ranging and fascinating survey has a particular timely quality to it. A collaboration between a music historian and a historian of political nationalism it carefully teases apart the different strands that make up the expression of national sentiment in music. SUNDAY TIMES

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