This series provides a forum for the best new work in this area; it takes a deliberately inclusive approach, covering immigrants and emigrants as well as native musicians. Contributions on all aspects of British music studies from the early seventeenth to the early twentieth centuries are welcomed, particularly those placing music in its social, cultural, and historical contexts, and addressing Britain’s musical links with Europe and the rest of the globe.
Series Editors
Professor Byron Adams
Music Department
ARTS 146 Building
College of Humanities, Arts and Social Sciences
University of California, Riverside
900 University Avenue
Riverside, CA 92521
USA
[email protected]
Professor Rachel Cowgill
University of Huddersfield
Queensgate
Huddersfield
HD1 3DH
UK
[email protected]
Professor Peter Holman
School of Music
University of Leeds
Leeds
LS2 9JT
UK
[email protected]
Editorial contact
Dr Michael Middeke
Boydell & Brewer Ltd
[email protected]