Scoring Race

Scoring Race

Jazz, Fiction and Francophone Africa

Pim Higginson

Hardback
Pre-order
$90.00

James Currey

Overview

Overview

Explores in depth how Francophone African authors and filmmakers have negotiated the French construction of jazz as the medium of an exoticized and radical alterity.
Pim Higginson draws on race theory, aesthetics, cultural studies, musicology, and postcolonial studies to examine the convergence of aesthetics and race in Western thought and to explore its impact on Francophone African literature.
France's "tumulte noir," the jazz craze between the two world wars, consolidated an aesthetic model present in Western philosophy since Plato that coalesced into French "scientific" racism over the 19th century; a model which formalized the notion of music as black. France's "jazzophilia" codified what the author names the "racial score:" simultaneously an archive and script that, in defining jazz as "black music," has had wide-reaching effects on contemporary perceptions of the artistic and political efficacy of black writers, musicians, and their aesthetic productions.
Reading avant-garde French writers Sartre and Soupault to prize-winning Francophone authors Congolese Emmanuel Dongala to Cameroonian Léonora Miano, Scoring Race explores how jazz masters Louis Armstrong, Duke Ellington, Charlie Parker, and John Coltrane became touchstones for claims to African authorship and aesthetic subjectivity across the long twentieth century.
This volume focuses on how this naturalization of black musicality occurred and its impact on Francophone African writers and filmmakers for whom the idea of their own essential musicality represented an epistemological obstacle. Despite this obstacle, because of jazz's profound importance to diaspora aesthetics, as well as its crucial role in the French imaginary, many African writers have chosen to make it a structuring principle of their literary projects.
How and why, Pim Higginson asks, did these writers and filmmakers approach jazz and its participation in and formalization of the "racial score"? To what extent did they reproduce the terms of their own systematic expulsion into music and to what extent, in their impossible demand for writing (or film-making), did they arrive at tactical means of working through, around, or beyond the strictures of their assumed musicality?

Pim Higginson is Professor of Global French Studies at the University of New Mexico, Albuquerque.

Details

June 2017
1 black and white illustrations
242 pages
23.4x15.6 cm
African Articulations
ISBN: 9781847011558
Format: Hardback
James Currey
BIC AV, 1HF
BISAC MUS025000, LIT004010, SOC001000
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Related Titles

Table of Contents

Introduction. Scoring Race: Music, Writing and Difference in a French Context
Jazz Fictions and the French Novel: Four Cases
Querying Jazz: Early Francophone African Engagements with the Racial Score
Challenging the Score: Francophone African Reconfigurations of Jazz Today
Black Bodies, Black Sounds: Film and the Racial Score
Bibliography

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