The Crafty Art of Opera
Title Details

197 Pages

21.6 x 13.8 cm

5 colour, 17 b/w illus.

Imprint: Boydell Press

The Crafty Art of Opera

For those who make it, love it or hate it

by Michael Hampe

Translated by Chris Walton

  • Description
  • Contents
  • Author
  • Reviews
Insights into an opera stage director's work from an internationally acclaimed director and teacher.

Opera is nowadays performed worldwide. But as an art form it is little understood by performers and audiences alike. The Crafty Art of Opera wants to change that. Here, Michael Hampe brings glimpses of the director's work to a wider audience, uncovering the many techniques and rules that should inform an opera's staging: the need for singers to know their orchestra, the importance of space around singers, the gestures of languages, what we all can learn from Mozart, and the primacy of sense over effect, to name but a few. He shows how stories, through music, become tangible and real.
Packed with many anecdotes from the author's luminous career, this book is dedicatedto opera-lovers who want to understand 'how it is done'; to opera-makers who want to better understand their craft; and, last but not least, to those who loathe opera, in order to prove them wrong. Eminently readable, it brings both insight and wit from a life spent in opera as director and teacher.

MICHAEL HAMPE is an internationally acclaimed opera stage director. The Crafty Art of Opera was published in German as Opernschule.
Preface
What is opera?
The heart
The seven 'W's
Sense and sensuality
Bodies in space
Movement
Le physique du rôle
Discomfort and inconvenience
Bank robbers
Pretend theatre
The 'trizophrenic' upbeat
The complete music-actor
Mozart
Recitative
Being comic
'Too many notes...'
Dramaturgy
Breaking the rules
The harmony of the spheres
In place of an epilogue: my teachers
Appendix 1: All the 'useful rules' in overview, for those who make opera
Appendix 2: A masterclass in opera, for those who love it or hate it
Index of names and works

Chris Walton studied at the universities of Cambridge, Oxford, Zurich and Munich. He was head of the Music Department of the Zentralbibliothek
Zürich for ten years before being appointed chair of music at the University of Pretoria. He moved back to Switzerland in 2008 and lives today in
Solothurn. He is an Honorary Professor at Africa Open Institute (Stellenbosch University) and runs two research projects at the Bern University of the Arts for the Swiss National Science Foundation. He has published widely on Austro-German and Swiss music.

"I can't imagine a better way to introduce budding singers to the dramatic part of music drama." Stephen Brown,, TIMES LITERARY SUPPLEMENT

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9781783270972

August 2016

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9781782047001

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August 2016

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Title Details

197 Pages

2.16 x 1.38 cm

5 colour, 17 b/w illus.

Imprint: Boydell Press