Germans as Victims in the Literary Fiction of the Berlin Republic
Title Details

268 Pages

22.8 x 15.2 cm

Series: Studies in German Literature Linguistics and Culture

Series Vol. Number: 33

Imprint: Camden House

Germans as Victims in the Literary Fiction of the Berlin Republic

Edited by Stuart Taberner and Karina Berger

  • Description
  • Contents
  • Author
  • Reviews
First comprehensive look at how today's German literary fiction deals with questions of German victimhood.

In recent years it has become much more accepted in Germany to consider aspects of the Second World War in which Germans were not perpetrators, but victims: the Allied bombing campaign, expulsions of "ethnic" Germans, mass rapes of German women, and postwar internment and persecution. An explosion of literary fiction on these topics has accompanied this trend. Sebald's The Air War and Literature and Grass's Crabwalk are key texts, but there are many others; the great majority seek not to revise German responsibility for the Holocaust but to balance German victimhood and German perpetration. This book of essays is the first in English to examine closely the variety ofthese texts. An opening section on the 1950s -- a decade of intense literary engagement with German victimhood before the focus shifted to German perpetration -- provides context, drawing parallels but also noting differences between the immediate postwar period and today. The second section focuses on key texts written since the mid-1990s shifts in perspectives on the Nazi past, on perpetration and victimhood, on "ordinary Germans," and on the balance between historical empathy and condemnation.

Contributors: Karina Berger, Elizabeth Boa, Stephen Brockmann, David Clarke, Mary Cosgrove, Rick Crownshaw, Helen Finch, Frank Finlay, Katharina Hall, Colette Lawson, Caroline Schaumann, Helmut Schmitz, Kathrin Schödel, and Stuart Taberner.

Stuart Taberner is Professor of Contemporary German Literature, Culture, and Society at the University of Leeds. Karina Berger holds a PhD in German from the University of Leeds.
Introduction - Stuart Taberner and Karina Berger
W. G. Sebald and German Wartime Suffering - Stephen Brockmann
The Natural History of Destruction: W. G. Sebald, Gert Ledig, and the Allied Bombings - Colette Lawson
Expulsion Novels of the 1950s: More than Meets the Eye? - Karina Berger
"In this prison of the guard room": Heinrich Böll's Briefe aus dem Krieg 1939-1945 in the Context of Contemporary Debates - Frank Finlay
Family, Heritage, and German Wartime Suffering in Hanns-Josef Ortheil, Stephan Wackwitz, Thomas Medicus, Dagmar Leupold, and Uwe Timm - Helmut Schmitz
Lost Heimat in Generational Novels by Reinhard Jirgl, Christoph Hein, and Angelika Overath - Elizabeth Boa
"A Different Family Story": German Wartime Suffering in Women's Writing by Wibke Bruhns, Ute Scheub, and Christina von Braun - Caroline Schaumann
The Place of German Wartime Suffering in Hans-Ulrich Treichel's Family Texts - David Clarke
"Why only now?": The Representation of German Wartime Suffering as a "Memory Taboo" in Günter Grass's Novella Im Krebsgang - Katharina Hall
Rereading Der Vorleser, Remembering the Perpetrator - Rick Crownshaw
Narrating German Suffering in the Shadow of Holocaust Victimology: W. G. Sebald, Contemporary Trauma Theory, and Dieter Forte's Air Raids Epic - Mary Cosgrove
Günter Grass's Account of German Wartime Suffering in Beim Häuten der Zwiebel: Mind in Mourning or Boy Adventurer? - Helen Finch
Jackboots and Jeans: The Private and the Political in Uwe Timm's Am Beispiel meines Bruders - Frank Finlay
Memory-Work in Recent German Novels: What (if Any) Limits Remain on Empathy with the "German Experience" of the Second World War? - Stuart Taberner
"Secondary Suffering" and Victimhood: The "Other" of German Identity in Bernhard Schlink's "Die Beschneidung" and Maxim Biller's "Harlem Holocaust" - Kathrin Schodel

STUART TABERNER is Professor of German at the University of Leeds, UK.

"[A]n impressive testament to collaborative research. The . . . essays . . . all offer highly stimulating discussions of individual texts and topics, and can be read as self-contained pieces, but the book is far more than the sum of its parts: the coherence of its argument suggests not only masterly editing, but also the real benefits of scholars with related interests working together over an extended period. [This book] will be of interest to students, specialists, and general readers alike, and given the implications of the topic, deserves the widest possible audience." JOURNAL OF EUROPEAN STUDIES
"Contributes to a growing body of research on the evolution of memory politics in post-unification Germany... Adds important inflections to current debates... Important, thought-provoking, and fittingly nuanced." MODERN LANGUAGE REVIEW
"The individual essays make a compelling and well-conceived contribution to an important and on-going discussion that in the ten years of its existence has gained in nuance and sophistication." MONATSHEFTE
"Provides a valuable overview about the range and complexity of literary accounts on 'German suffering." GERMAN STUDIES REVIEW
"Provocative yet accessible to a wide audience." CHOICE
"The volume adds support to the argument that the notion of 'German victims' did not begin with the fall of the Berlin Wall." GERMAN QUARTERLY
"Clearly structured, with a common theme that gives the work cohesion.... Will certainly stimulate academic debate and scholarship for years to come." H-NET GERMAN
"Has an impressive array of contributions. . . . [C]ertainly demonstrates the complexities of the current debates." THIS YEAR'S WORK IN MODERN LANGUAGE STUDIES

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Title Details

268 Pages

2.28 x 1.52 cm

Series: Studies in German Literature Linguistics and Culture

Series Vol. Number: 33

Imprint: Camden House